Experiment 05 · Session 8

Drawn on the Page

Illustrations that emerge from the CoNoggin Oat ground (#FBF9F6) — not placed on it, but part of it. A single technique works across all intensity levels: dissolve the white, keep the painting.

The Technique: Edge-Dissolve

The simplest approach won. No AI background removal needed — just maths. Convert near-white pixels to transparent with a feathered boundary, then composite on oat. The entire painting is preserved: tables, chairs, architecture, ground shadows, everything.

  1. Prompt for organic edges — "rough organic brushstroke edges that fade naturally into bare white paper at the margins"
  2. Luminance threshold — pixels above 242 luminance → transparent. Smooth 220–242 gradient zone.
  3. Gaussian feather — blur the alpha channel (18px radius) for soft, painterly transitions.
  4. Composite on Oat — alpha-composite onto #FBF9F6. Done.
Cost: $0.00 (CPU only)Time: <0.1sNo API call needed

Why Not AI Background Removal?

We tested BiRefNet v2 (state-of-the-art subject extraction). It works brilliantly for photos — but for illustrations, it strips elements it considers "background": tables, chairs, architecture, ground shadows. In one test, it removed the table from a diplomatic conversation scene, leaving tea cups floating in mid-air. In a watercolour illustration, everything painted IS the content. Edge-dissolve respects that.

The Full Pipeline

Content + BrandClaude art directorZ-Image-Turbo ($0.005)Edge-dissolve (free)Composite on OatR2 upload

Total cost: ~$0.005/thumbnail · Total time: ~1.5s · $5 for 1,000 production-ready thumbnails on Oat ground

Results: Diplomatic Etiquette Course

All five intensity levels, same teal palette, same edge-dissolve technique. Subject: diplomatic etiquette — a realistic course topic for CoNoggin.

1

Pen & Wax Seal

30 seconds
Pen & Wax Seal — on Oat ground
On CoNoggin Oat (#FBF9F6)

A fountain pen and teal wax seal floating on oat. The white note paper dissolves into the page — a happy accident that makes the illustration feel painted directly on the surface.

2

Business Card Exchange

2 minutes
Business Card Exchange — on Oat ground
On CoNoggin Oat (#FBF9F6)

Two hands exchanging a card. The white card goes semi-transparent, blending with the oat — it looks intentional, as if the card is made of the same paper. The teal ink outlines anchor the drawing.

3

Diplomatic Conversation

10 minutes
Diplomatic Conversation — original on white
Original (white background)
Diplomatic Conversation — on Oat ground
On CoNoggin Oat (#FBF9F6)

Two diplomats at a round table with tea cups. Table preserved, chairs preserved, legs preserved, cups on the table. The white between them softens into oat. This is where BiRefNet failed — it stripped the table and left cups floating in air. Edge-dissolve keeps everything.

4

Reception Hall

30 minutes
Reception Hall — original on white
Original (white background)
Reception Hall — on Oat ground
On CoNoggin Oat (#FBF9F6)

Elegant reception with arched windows, chandelier, and groups of diplomats. The brushstroke edges dissolve organically into the oat ground. The prompt asks for "rough organic brushstroke edges" — the model paints with natural watercolour margins rather than filling to the canvas edge.

5

Grand Summit

an afternoon
Grand Summit — original on white
Original (white background)
Grand Summit — on Oat ground
On CoNoggin Oat (#FBF9F6)

Grand summit with curved table, flags, and chandeliers. The painting emerges from the oat with painterly edges — chandeliers dissolve at the top, delegates anchor the bottom. Exhibition quality. The organic-edge prompt is critical at this level.

Key Insight

Edge-dissolve works universally because it follows the physics of real watercolour. A painting on white paper has pigment where the artist painted and bare paper everywhere else. The boundary is organic — pigment thins, washes fade, brushstrokes trail off. Converting "bare paper" to transparent and feathering the boundary reproduces exactly how a real watercolour would look if you lifted it off the page and placed it on a different surface.

The prompt addition — "rough organic brushstroke edges that fade naturally into bare white paper" — ensures the model paints with natural margins rather than filling the canvas edge-to-edge. This gives the dissolve technique white space to work with at every intensity level.

Production Workflow

Not every generated image will be perfect. The production pipeline should support a review step:

  1. Auto-generate on content creation (fast, cheap, $0.005)
  2. Author reviews — can regenerate, pick from 3–5 options
  3. Quality check (optional) — Claude Vision flags obvious issues before confirming: floating objects, text artefacts, colour drift

Alt Shift Lab · Visual Production System · April 2026
Z-Image-Turbo via fal.ai · Edge-dissolve via Pillow